| Developer(s) | Cycling '74 |
|---|---|
| Stable release | |
| Written in | C, C++ (on JUCE platform) |
| Operating system | Microsoft Windows, macOS |
| Type | Music and multimedia development |
| License | Proprietary |
| Website | cycling74.com/products/max/ |
- Max 6 For Live Mac Free
- Max 6 For Live Mac Software
- Max 6 For Live Mac Miller
- Max 6 For Live Mac Download
- Watch Mac Miller play 'Small Worlds', 'What's the Use? Thundercat)' and '2009' at the Tiny Desk. Did you know you can watch new Tiny Desk Concerts on.
- Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74.Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.
- Welcome to the most extensive collection of Max for Live devices. Download what you need, or join the community and start sharing your own! View the Max for Live Production Guidelines Newest Downloads. Ping Jong Un Tired of using Ping Pong Delay? Try Pyongyang Delay! This device sends continuous Ping echo request.
| Cycling '74 Max 7 | |
| Paradigm | visual, flow-based, declarative, domain-specific |
|---|---|
| Developer | Cycling '74 |
| Stable release | |
| Website | cycling74.com/products/max/ |
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.[1]
The Max program is modular, with most routines existing as shared libraries. An application programming interface (API) allows third-party development of new routines (named external objects). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software.[2]
For new downloads, Max 8 is free for 30 days. Older Versions of Max and Runtimes Mira for Max 7.0.1 or older Max SDK Discontinued Products Max for Live Editor M. Max 8 Features Max in Education Max for Live Extending Max. Made with Max Max Packages Projects Blog. Get Started Tutorials Places to. Max 6x6 amphibious atvs. 11004 ignition key switch kit, 7 pin - all models.
History[edit]
1980s:Miller Puckette began work on Max in 1985, at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris.[3][4] Originally called The Patcher, this first version provided composers with a graphical interface for creating interactive computer music scores on the Macintosh. At this point in its development Max couldn't perform its own real-time sound synthesis in software, but instead sent control messages to external hardware synthesizers and samplers using MIDI or a similar protocol.[5] Its earliest widely recognized use in composition was for Pluton, a 1988 piano and computer piece by Philippe Manoury; the software synchronized a computer to a piano and controlled a Sogitec 4X for audio processing.[6]
In 1989, IRCAM developed Max/FTS ('Faster Than Sound'), a version of Max ported to the IRCAM Signal Processing Workstation (ISPW) for the NeXT. Also known as 'Audio Max', it would prove a forerunner to Max's MSP audio extensions, adding the ability to do real-time synthesis using an internal hardware digital signal processor (DSP) board.[7][8] The same year, IRCAM licensed the software to Opcode Systems.[9]
1990s:Opcode launched a commercial version named Max in 1990, developed and extended by David Zicarelli. However, by 1997, Opcode was considering cancelling it. Instead, Zicarelli acquired the publishing rights and founded a new company, Cycling '74, to continue commercial development.[10][11][12] The timing was fortunate, as Opcode was acquired by Gibson Guitar in 1998 and ended operations in 1999.[13]
IRCAM's in-house Max development was also winding down; the last version produced there was jMax, a direct descendant of Max/FTS developed in 1998 for Silicon Graphics (SGI) and later for Linux systems. It used Java for its graphical interface and C for its real-time backend, and was eventually released as open-source software.
Meanwhile, Puckette had independently released a fully redesigned open-source composition tool named Pure Data (Pd) in 1996, which, despite some underlying engineering differences from the IRCAM versions, continued in the same tradition. Cycling '74's first Max release, in 1997, was derived partly from Puckette's work on Pure Data. Called Max/MSP ('Max Signal Processing', or the initials Miller Smith Puckette), it remains the most notable of Max's many extensions and incarnations: it made Max capable of manipulating real-time digital audio signals without dedicated DSP hardware. This meant that composers could now create their own complex synthesizers and effects processors using only a general-purpose computer like the Macintosh PowerBook G3.
In 1999, the Netochka Nezvanova collective released NATO.0+55+3d, a suite of externals that added extensive real-time video control to Max.
2000s:Though NATO.0+55+3d became increasingly popular among multimedia artists, its development stopped abruptly in 2001. SoftVNS, another set of extensions for visual processing in Max, was released in 2002 by Canadian media artist David Rokeby. Cycling '74 released their own set of video extensions, Jitter, alongside Max 4 in 2003, adding real-time video, OpenGL graphics, and matrix processing capabilities. Max 4 was also the first version to run on Windows. Max 5, released in 2008, redesigned the patching GUI for the first time in Max's commercial history.
2010s:In 2011, Max 6 added a new audio engine compatible with 64-bit operating systems, integration with Ableton Live sequencer software, and an extension called Gen, which can compile optimized Max patches for higher performance.[14] Max 7 was released in 2014 and focused on 3D rendering improvements.[15]
On June 6, 2017, Ableton announced its purchase of Cycling '74, with Max continuing to be published by Cycling '74 and David Zicarelli remaining with the company.[16]
On September 25, 2018 Max 8, the most recent major version of the software, was released.[17] Some of the new features include MC, a new way to work with multiple channels, JavaScript support with Node for Max, and Vizzie 2.[18]
Language[edit]
Max is named after composer Max Mathews, and can be considered a descendant of his MUSIC language, though its graphical nature disguises that fact. Like most MUSIC-N languages, Max distinguishes between two levels of time: that of an event scheduler, and that of the DSP (this corresponds to the distinction between k-rate and a-rate processes in Csound, and control rate vs. audio rate in SuperCollider).
The basic language of Max and its sibling programs is that of a. Hopes&Fears. Retrieved 2018-09-16.
|journal= (help)[permanent dead link][dead link]|journal= (help)|journal= (help)
External links[edit]
With MC, objects and patch cords contain multiple audio channels. MC will transform how you imagine sound design, effects processing, and mixing. It might be the closest thing to a mind-expanding drug Max has ever had.
MC builds on how you already work with Max.
Simply type mc. before the name of any MSP object
Connect MC objects with multi-channel patch cords
Mix to any number of audio outputs
With MC, patches with 100 channels of audio look as simple as those with a single channel. The ability to manipulate so many audio channels and operations with so few objects will open up a previously hidden world of ideas.
Explore controlling complex soundscapes with MC
With MC, you can easily apply controls across a space of audio channels.
120 oscillators
60 delays
4 Max for Live devices
Everything you love about Max... multiplied
Edit multiple Gen instances simultaneously
Multi-channel signal probe with selectable visualization modes
Max 6 For Live Mac Free
Build polyphonic synths by assigning MIDI and MPE to individual channel streams
Layer evolving sounds with multiple automation curves
For Max 8, we profiled real-world, messy patches to discover what we could optimize. You'll notice the difference the moment you launch the application.
Up to
faster launch
Max 8 launches between 2x (Mac) and 20x faster (Windows)
Up to
patch loading
Large patches will load up to 4x faster
Max 6 For Live Mac Software
Now
more responsive
Complex UI operations are significantly more responsive
In addition to these overall improvements, we've significantly enhanced specific real-time use cases including the coll object (up to 60x faster), Jitter texture to matrix copying, jit.world matrix output, and an updated physics engine.
Max 8 includes a Mappings feature inspired by DAWs such as Ableton Live.
Assign physical controls to your patch in just three steps:
1Enter Mappings Mode
2Select a slider
3Move your controller
Once you've mapped your controller, you can immediately starting playing as you patch.
With Mappings in Max, use a familiar workflow to set up hardware controls for more than just volume or filter cutoff. Trigger complex events, transform visuals, or adjust probabilities — all without adding any objects to your existing patches.
Vizzie is our collection of over 80 high-level modules for interactive video. It's already a perfect launchpad for learning Jitter, but now it's ready for serious use.
Vizzie is now powered by OpenGL for dramatic improvements in performance and flexibility.
Expand beyond 2D by mixing Vizzie modules with OpenGL Jitter features.
Use NodeJS to build custom servers or run small applications directly from your Max patch. With support for the vast NPM library, Node for Max connects your patches to thousands of possibilities.
Launch Node applications from within your Max patch, then control and interact with them.
Max 8 offers a more fluid and optimized patching experience. You'll notice numerous thoughtful refinements in addition to increased responsiveness. A few highlights:
Move objects into and out of patch cords in one step
Manage objects in groups
Filter and timestamp events with a redesigned Max console
Gain immediate insight on your patch with event probing
Choose a color theme to customize the Max interface
Use Operate While Unlocked to move seamlessly between editing and playing
Using Max doesn't need to be about knowing or remembering every detail.
Start typing into the new Search Sidebar to immediately access the thousands of Max examples and tutorials that ship with Max, along with results from web forums and in-depth articles.
You might be surprised what you discover.
1Javascript, coll, and other text-based objects can open files in an external text editor
2The Max console toolbar icon shows when new messages or errors have arrived
3Post messages to the Max console from any patch cord in one step with new Print Watchpoints.
4Max 8 includes a completely new UI for editing object colors including algorithmic color tweaking, palette saving and loading, and much more.
5Use the mouse or trackpad to zoom and scroll around in large patchers
6The patcher style system features numerous refinements including the ability to delete styles
7There are new options for pasting objects including Paste and Match Style
8The audio signal probe includes new history and scope modes
9Updated interfaces for Reference, Package Manager, File Browser, and Authorization Window features
10The feature that transforms changed attributes into arguments has been improved, particularly for Jitter objects
11The new chooser UI object displays a scrolling list, useful for file browsing interfaces and more
12The new multirange object is a graphical editor for functions that contain ranges of values
13The new console object outputs and filters the contents of the Max console inside your patch
14New MIDI objects for 14-bit continuous controller, registered and non-registered parameter messages
15Gen now has an event domain version called gen with the same interactive code generation and DSP features as its older sibling gen~
16New frame~ and framesnap~ objects simplify working with spectral data
17Max scans your audio plug-ins, simplifying the use of 'shell' plug-ins (such as from Waves and Expert Sleepers). It also will also detect plug-ins with compatibility issues and disable them.
18Max 8 is compatible with modern Mac OS full screen windowing features including tabbed windows
19Max 8 on Windows includes support for multitouch and HiDPI monitors
20Improved support for multi-channel audio file formats
21Duplicate file name warnings list the locations of all duplicate files, not just the one Max will be using.
22Improvements to the jit.gl.pix WebGL export process
23OpenGL supports drawing to multiple jit.gl.node contexts, simplifying render variations from a single geometry source.
24jit.gl.multiple can now draw jit.gl.node instances, allowing for complex geometry hierarchies to be multiplied
25jit.gl.model now loads FBX, glTF and OpenGEX files
26Improvements to the way Jitter GL objects automatically find and join a render context without specifying a rendering context name
27jit.gl.node and jit.world can output a description of the entire 3D scene as a dictionary
Max 6 For Live Mac Miller
28jit.gl.slab and jit.gl.shader without arguments will open a default shader file when double clicked as a starting point for developing new shaders
29The vst~ object now supports VST3 plug-ins
30The line object works with multi-segment ramps and is compatible with the function object
31The dial object includes four new modes: Live, Classic, Needle and Pan and the live.dial object has a new large mode
32The jit.cellblock object can monitor audio signals
33The poly~ object can host a different patcher in each of its voices and includes a bypass mode
34poly~ automatically adds an outlet identifying the voice that sent the last event
35Gen includes an @expr mode for high-performance expression evaluation in a single object box
36The message box allows changing the value of its arguments without triggering output
Max 6 For Live Mac Download
37The gestalt object that reports system environment information has been substantially modernized and includes a dictionary output mode